“Poushosh” Collages are totally and fundamentally conceptual. For their creation is based on mere idea and concept. And technique and material are the secondary elements in them not the main. Some of the chosen material such as extracts from fashion journals would be ruined or forgotten if they weren’t used in these collections. But this collage revived them, reanimated them with a new life and function. Above all they have helped the artist and the artist has helped them.
“Poushosh” Collages are totally and fundamentally conceptual. For their creation is based on mere idea and concept. And technique and material are the secondary elements in them not the main. Some of the chosen material such as extracts from fashion journals would be ruined or forgotten if they weren’t used in these collections. But this collage revived them, reanimated them with a new life and function. Above all they have helped the artist and the artist has helped them.
a. Aghajoon knew all the methods for laying bricks according to his job, building. Each of these methods has a specific function and it is used in its proper place. The photos and the other materials used in the collages, brick laying samples, and their oldness is consistent with the childhood and living in Aghajoon's house. Choosing them for collage and illustrating the atmosphere of Aghajoon's house, and this transition from tradition to modernity in culture, art and everyday life was not difficult. In some of them the laid bricks seem like grave stone and cross. They remind us of death, Aghajoon's death, they remind the end; the end of the style of laying bricks, the end and Fall of Aghajoon's house.
